All ego aside, in whatever newsroom I was working, when something big broke, I was the go-to guy on the production side. I don't know much, but I will put my newspaper production and design and decision-making skills up against anyone anywhere in the world. I know how to put out a daily newspaper.
At 9:34 a.m. CDT on Tuesday, Sept. 11, 2001, I was summoned to work early to put out the most important edition ever of the nation's eighth largest newspaper. I covered the 34.8 miles to work in 32 minutes, hitting my car's electronically governed 112 mph limit on the way.
As I pulled up to the building, with the newspaper's big Gothic nameplate on the side, it started to hit me. I pulled my car -- somewhat more slowly -- into a parking spot, near the news helicopter pad for our TV station. I got out. I closed the door. I began walking to the employee entrance, just like any other day.
Then I stopped.
A thought kept ringing in my head:
I don't know how to do this.
I stood there, on the top floor of that parking garage, for probably three minutes. Just stood there, the staircase down to the door in front of me, the car behind me. To my right was the skyline of the eighth largest city in the nation. A city that, for all I knew could have been the next target, being as it is a symbol of American consumption and oil power.
There I was, the Go-To Guy, just standing there. I don't know how to do this.
I took probably 100 deep, deep breaths. Somewhere around breath No. 45, I thought about going back to the car, back home to my family, and pretending it never happened. That thought went away before breath No. 46 came out. But I still stood there for another minute and a half. I don't know how to do this.
It was 10:01 a.m. My deadline for the extra edition we were publishing was 2 p.m. A quick review of a post from 2002 tells the story something like this:
I got out of the car and stood in the parking lot for a second, trying to get my pulse rate back down to normal. It hit me then that this was the Biggest Story Ever. I don't know how to do this, I thought. I don't have any idea. It was as if my brain had been wiped clean of everything I had learned over the past 16 years.
As soon as I was in the building, I was herded to a computer terminal and told I was designing the cover of our Extra edition. Deadline was 2 p.m. God only knew what more would happen between now and then. I didn't worry about it. I started designing, and fast, because everybody on the newspaper's masthead -- the publisher himself, the editor, the executive editor, the managing editor, and assorted others -- was standing behind me.
I hit the button on that page at 1:58, and turned my attention to the regular paper. The final page count was 48. I don't remember a lot of specifics from that exercise. We were just hunting and gathering and trying to determine what was true and what wasn't.
Back then I wrote, "I stood there for a second." I remember now it was much longer than that. Over and over in my head, I don't know how to do this.
I was responsible for the front page, back page and two inside pages of that Extra edition. I did the other pages fast enough to be able to spend time on the details of the cover. I remember fussing for several minutes over the spacing between the words "of" and "terror" in our main headline, "Day of terror." I switched the main photo five times, as a different photo editor brought me a new and better photo for the front page.
The front page I did that morning -- with the entire masthead of the nation's eighth largest paper standing behind me, watching every mouse click -- is now hanging in the Freedom Forum's Newseum. Everything on the page was spelled right. The words "of" and "terror" were properly spaced.
The main story was being written and revised right up to the point when I hit the button to send the page. It went out two minutes before deadline.
It was, in short, the culmination of everything I had learned and everything I had done in 16 years in journalism. I was handed a monumental task, and I delivered at a level that I never had before and never did again.
I worked more than 14 hours each of those first three days; then, one night, I broke down. Cried like a baby. I was able to ignore the full impact of what happened to our country, to a bunch of people whose only crime was not calling in sick on a beautiful Tuesday morning. But I could only ignore it for so long.
Dick Cheney tells us that the administration policies are working, and proof of that is that we haven't been attacked in five years. Excuse me, Dick, but we also weren't attacked in the 60 years before Sept. 11, 2001. Dumbass. The administration has accomplished nothing, and in many ways has made things worse. We've created chaos in a little country that had nothing to do with the attacks. We're stirring up shit in another. Meanwhile, the man with the money behind what happened is still out there, somewhere, with full ability to do it again if he wants to.
As for me? That was probably the beginning of the end of my journalism career. I damn sure never want to be part of another story that big, or that awful. The stories in the years afterward -- Afghanistan, Iraq, the threat from North Korea, day after day after day of human suffering and awfulness -- I just didn't want to know anymore. I still do know, of course, but on my own terms.
I'm not the go-to guy anymore. Journalism is a young man's game. I aged a lot those last few months of 2001. I just hope the young people who are taking it over learn to ask the right questions and don't accept everything that's being handed to them. It's more important that they know how to do it now than it was for me to know how to do it then.
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